2012

Monitor, Rome

Monitor proposes a curated project that focuses on the body and its involvement in the act of the artistic creation with a presentation of two artists: Jesse Ash and Tomaso de Luca.

The Coronation emerges from the reflection on the loser, the one who celebrates their defeat. The artist made a crown in copper and then portrayed himself forty times while he was trying to wear this object in different ways. The object of celebration, the crown of Caesar, is turned into something incoherent, useless, contrary to its positive and monumental value. For Tomaso it is necessary to celebrate the defeat, to detect and assimilate the shadows, to oppose our capacity of being losers to a pattern of victories and success. experiencing a disaster is a seed of diversity (as the artist wrote).

The involvement of the body through the use of an object is a primary element of the work by Jesse Ash, that adds an element of aleatory to the creative process: News from Nowhere is a series of charcoal drawings on paper where a scrunched up newspaper page (the international section of a London paper) is thrown on to white drawing paper. The random composition of the drawings are marked by the shadow of the object – rendered in charcoal and displayed to simulate a meteoric shower.

 

 

Jesse Ash

News from Nowhere, 2011
67x89cm each
charcoal on paper, wooden framed
installation view at Monitor, Rome
Courtesy the artist and Monitor, Rome

Tomaso de Luca

Coronation, 2011
charcoal on paper
15x21
Extract of a series of 40 drawings
Courtesy Monitor, Ro

Tomaso de Luca

100 Heads for Hunter, 2010
mixed media on paper (detail)
Courtesy Monitor, Rome