Triangolo, Cremona

Samuel Haitz

Triangolo proposes a solo presentation of Swiss Artist Samuel Haitz comprising both sculptural and photographic works :

 

“A melee of public and private objects—the memories and desires of artist Samuel Haitz, as well the latent traces of his methodology—conflates “micro-histories of the self with the universal,” yielding obfuscated glimpses into a personal and historic queer autobiography.

 

Essential works of queer art, poetry, and prose are churned through Haitz’s process: rites of appropriation, reproduction, and repetition transform these components beyond their initial status as “readymades.” This is, per Haitz, a “photo-appropriative” gesture.

 

Haitz‘s flagship ongoing series of vitrines surreptitiously named “Archive” deploys stagings of the artist‘s personal effects. Although the objects appear like the contents of a pocket turned out onto a bedside table, the ontology of the vitrine as a means of display prevents the acceptance of this logic. Both the imposition of the acrylic membrane separating the viewer from the site of Haitz‘s act and the serial, imitative aspect of his work permits scrutiny of his sleight of hand.

 

The overwhelming paradox of a highly produced yet quotidian approach reveals the ways Haitz manages the vast formal and conceptual historical significances of his materials.”– Olamiju Fajemisin

https://www.iltriangoloartgallery.com

 

 

Samuel Haitz

Archive (I’m Very into You) (1) (2023)
Acrylic glass, wood, c-prints, exhibition invitation card, antihistamines, paper clip, perfume tester, supplement, nail
42 x 29,7 x 7,5 cm
Courtesy the artist and Triangolo
Photo © Julian Blum

Samuel Haitz

Sale (After Lutz Bacher) (2021)
C-Print in Lehni frame, hanged on pre-existing screws
128 x 89,5 cm (130 x 91,5 cm with frame)
Courtesy the artist and Triangolo
Photo © Philipp Haenger

Samuel Haitz

I’m not so much into superficial things like good looks, but when I close my eyes at night all I can see is your face (2023)
Laserjet-prints, gel medium, and UV-protection spray on panel
42 x 59,4 x 2 cm
Courtesy the artist and Triangolo

Samuel Haitz

Archive Table (2021)
Wooden table from Cabaret Voltaire; acrylic glass; mixed media
139,5 x 72 x 94 cm
Courtesy the artist and Triangolo
Photo © Philipp Haenger

Samuel Haitz

Archive (Studio) (2023)
Acrylic glass, wood, c-prints, bluetooth headphone case, inkwell, Physique Illustrated (1965), receipt, coins, l-hooks, nail, brush, painkillers, drawing feather, opened gum pack
84 x 29,7 x 13,5 cm
Courtesy the artist and Triangolo
Photo © Julian Blum

Samuel Haitz

Archive (La Vie d‘Artiste 2019-2020)(2022)
Table, acrylic glass, c-prints (full archive of analog photographs 2019-2020) and mixed media
80 x 150 cm
Courtesy the artist and Triangolo
Photo © Julian Blum

Samuel Haitz

Archive (Ich habe den ganzen Tag nur an dich gedacht, again) (2024)
Lacquered wood, acrylic glass, brackets, screws, prints, coins, nail, 20 euro bill, lighter
50 x 18 x 6,5 cm
Courtesy the artist and Triangolo
Photo © Tara Mour

Samuel Haitz

[Left] Samuel Haitz, Archive (Versuch über die Ablenkung) (2024)
Lacquered wood, acrylic glass, brackets, screws, prints, nut, coins, pencil
30 x 18 x 6,5 cm
Photo © Tara Mour

[Right] Archive (Zürich/Berlin) (2024)
Lacquered wood, acrylic glass, brackets, screws, prints, coins, matchbox, match, candy from Felix Gonzalez-Torres work
30 x 18 x 6,5 cm
Photo © Tara Mour

Courtesy the artist and Triangolo