Studiolow, guest designer 2024

Héloïse Charital, born in 1994, holds a bachelor’s degree in art history and a Master of Arts from the Design Academy Eindhoven. She also completed a one-year master’s program at the Ecole Supérieure d’Art et de Design de Marseille Méditérranée. Ismaël Rifaï, born in 1993, holds a DNAP from the Ecole Supérieure d’Art et de Design de Saint-Etienne and a Master of Arts from the Design Academy Eindhoven. Their work is part of the collections of the Museum für Kunst und Gewerbe, Hamburg, and has been exhibited at the Design Museum London (2021), Friedman Benda New York (2021), the Émergences Biennial (Centre national de la danse, Pantin, 2020), Dutch Design Week

 

Week (Eindhoven, 2019), PASSAGEN (Cologne, 2020), and the Van Abbe Museum (Eindhoven, 2020). In 2022, Héloïse Charital and Ismaël Rifaï were exhibited at Carlota Oyarzun Gallery (Copenhagen) and Friedman Benda Gallery (New York).

 

Région Sud Prize 2023

Through a partnership with Fræme, resident association at Marseille’s Friche la Belle de Mai and producer of Art-o-rama international contemporary art fair, and the Design Museum Brussels, the Centre has awarded a joint prize with the Design Museum Brussels to the Studiolow design duo in 2023, as part of the Prix Région Sud Design, organized by Art-o-rama to support and accompany the professionalization of young designers based in the Sud – Provence region. 

This joint prize will enable the presentation of new pieces by the winners for the 2024 edition of Art-o-rama, with production support from Fræme and the Centre. These new productions will be exhibited at the 2024 edition of Art-o-rama, as well as at the Design Museum Brussels, from September 9 to 29, during Design September 2024.

 

CENTRE WALLONIE-BRUXELLES|PARIS

Far from constituting a mausoleum that would contribute to the canonization of the pa-ma-trimonial heritage of French-speaking Belgian culture, the Centre, aka le Vaisseau, is a referenced situated catalyser, a non-prescriptive place with an experiential vocation for so-called Belgian contemporary creation and the artistic ecosystem in its transversality.

Through its resolutely de-anctuarizing and a-trans-disciplinary programming, the Center is mandated to disseminate and promote the work of artists based in the Wallonia-Brussels Federation. It thus promotes emerging and established talent, from the peripheral to the established. It helps to stimulate international co-productions and partnerships, and to crystallize attention in favor of the so-called Belgian scene.

Each season, the Centre unveils artistic approaches that attest to the irreducibility of a common denominator in the porous territories of contemporary creation. Located in the 4th arrondissement of Paris, its programming is spread over more than 1,000 m2. A decentralized Belgian vessel, in addition to its In-Situ programming, it also implements Hors-les-Murs programming and invests Cyberspace as a territory for creation and propagation with dedicated content.

The Center is a decentralized service of Wallonie- Bruxelles International (WBI): an instrument of the international policy pursued by Wallonia, the Wallonia-Brussels Federation and the French Community Commission of the Brussels-Capital Region.

 

www.cwb.fr

 


Previous guest designer

 

2023 – Maxime Douillet

 

 

Région Sud Prize Design 2023, Guest designer 2024, Studiolow, Art-o-rama 2023 © Margot Montiny

Chaise paille illustration
Straw-covered office chair design by Studiolow
© Studiolow

Ensemble chaises
Collage based on photos from the MUCEM (Musée des Civilisations de l'Europe et de la Méditérannée) collection, searched using the following keywords: ''chaise'' ''paille''.
The images come from photographic reports on everyday objects in France in the 2nd quarter of the 20th century.
© Barré J., Lepelletier Lucien
© Lecotté Roger, Golven André
© Bossu
© Legrand, Perreau, Barbier
© Perreau Jacques
© Daversin A.-L.
© Barré J., Perreau
© Dalmau Henri
© Bouffard
© Soulier Pierre
© Lepelletier Lucien
© Daversin
© Coz Maurice
© Lallement J.-C.

Historique pratique
Collage combining a photo of an object from the Egyptian Antiquities Department of the Musée du Louvre, a fragment of a stool dating from 1550 / 1069 BC, with an excerpt from an inventory of France's intangible cultural heritage entitled "rempaillage et cannage de chaises" (chair reupholstering and caning) submitted by J. Claude Millot, reupholsterer in Forcalquier.
© Musée du Louvre / Department of Egyptian Antiquities
© Atelier Gepetto

Outil et pratique
Collage linking the main tool used for rempaillage, the tourniquet, to one of the specificities of this craft, which is often practiced outdoors and in a nomadic way.
The images come from the Mucem collection and have been indexed using the keyword "rempailleur".
© Chamarat Josselyne
© MUCEM
© Pierre Soulier

Sagne provence
Collage juxtaposing several photographs from the Musée de la Camargue in Arles, grouped under the heading ''sagne'', a term used in Provence to designate reed straw, traditionally used for reupholstering chairs.
© Musée de la Camargue, PNR Camargue
© David Huguenin

Voyageurs rempailleurs
Collage based on the link between the "voyageurs" and the trade of "rempailleur", practiced by the community and handed down from generation to generation. Images of carts from the Mucem collections and images of voyageurs described as follows: "gitans faisant le métier de vanniers", painting by Edouard Debat-Ponsans, 1896 entitled "gitane à la toilette".
Text extract from "Faire de l'argent mais pas à tout prix" (1997) by Claire Cossée, lecturer in sociology.
© Marc Beaudenom
© Edouard Debat-Ponsans
© Claire Cossée